Contrary to some popular opinion, Camus is a serious philosopher who turns to the medium of the novel because only its format permits him to fully explore what it is to live. This paper examines the general themes of Camus’s work in relation to how the creative artist “lives” doubly, and how the novelist is in the best position of all—able to use negative thought to revolt against her or his situation. Furthermore, the author argues that absurd fiction opens up possibilities for the absurd reader in presenting a perspective that can affect the reader’s general sensibilities, including thoughts on ethics and chaos. In addition, the author draws parallels with phenomenology and uses ideas from Sartre, Ricœur, Heidegger, Merleau-Ponty, Wiggins, and Wittgenstein to illuminate Camus’ considerable value.

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